Nick Waterhouse is a modern American singer-songwriter who released his debut album, Time’s All Gone, in 2012. In his music you will hear echoes of things you might think you know, or believe you remember, filtered through the lens of a unique artistic perspective. You will hear rhythm and blues, garage rock, radio soul and wee-small-hours balladry – but reconfigured, made new. In Waterhouse’s music, the time is both now and then. The past is the present is the future. The sound is classic yet unclassifiable.
His latest album “The Fooler” (2023) is studded with highlights. From the hidden corners of ‘Hide & Seek’ and the roadhouse soul of ‘Play To Win’ to the primitive, attitudinal, chugging two-chord thrill of ‘Late In The Garden’, it builds inexorably to the drama of the title track and pulsing roll-and-rock of the final pay off, ‘Unreal, Immaterial’. Play it once and it sounds immediately like a collection of great songs. Play it again – and you will – and it feels like a novel or a film slowly unveiling its secrets, kaleidoscopic in its narrative complexity. Since making the album and making his moves, Waterhouse feels loose and liberated. The Fooler’s spirit of flux has become a guiding principle. “Being in that new state, I think, made me malleable and free. I’m trying to be instinctive about doing this.” He laughs. “And, you know, it’s getting me into all kinds of interesting situations.”