Something’s happening to the faster side of dance music. Maybe it’s the hyperactive influence of juke’s chopped-up 808s, the embrace of dubstep’s half-time flow at a higher tempo or perhaps it’s simply the ongoing evolution of the mutation started by dBridge and the Autonomic podcasts. Whatever the origin, that spectrum of music between 160 and 170bpm is sounding utterly vital once again. Sam Binga has placed himself firmly at the centre of this new wave, with releases on some of dance music’s most respected underground labels – 50 Weapons, Exit and Critical. His sound spans the anthemic rowdiness of tracks like ‘AYO’ and ‘Lef Dem’, to the deeper explorations of his collaborations with Om Unit, and has attracted the attention of artists such as Zed Bias and CHVRCHES – who have both hit him up for remix work -and Kode9, who featured his tune ’11th’ with Addison Groove on his critically acclaimed Rinse CD.